Pumpkins, Partners & Publications:

A Spooky Editorial Shoot in Stayton, Oregon

@purnimapatel95 and Dom showed up with full trust in the vision: pumpkins on their heads, the fall air creeping in, and no guarantee other than the creative direction I had planned. The result? A full editorial feature in @stylecruze magazine.

For newer models trying to get real tear sheets under their belt, this is the type of opportunity most don’t know how to access because they’ve never worked with someone who’s done both sides.

As a retired model who now works behind the camera, I shoot with publications in mind. And right now, I’m the only photographer in Oregon consistently helping new models get published. I don’t just offer good photos. I offer structure, styling, publication submissions, and creative concepts that stand out.



New to Modeling?

5 Reasons to Work With Me First

1. I Know What It’s Like to Start With Zero Direction

I spent over 20 years modeling. I remember standing there unsure of how to pose, what to wear, or how to make it actually mean something. That’s why I give full direction—head to toe—so nothing’s left to chance and you walk away with clarity and confidence.

2. Tear Sheets Are Part of the Plan, Not a Bonus

Most photographers hope their work gets picked up. I plan for it. From the angles and lighting to the storytelling and pacing, everything is built with submission in mind. If your goal is to get published, this is how you do it—with someone who already does.

3. My Shoots Are Built to Help You Stand Out

No recycled Pinterest trends. No forced posing. I build concepts around emotion, movement, and energy—because that’s what makes a portfolio magnetic. Whether we shoot something strange, elegant, or raw, the work will feel editorial-ready and authentic to you.

4. You’ll Get Direction That Actually Makes You Better

There’s a difference between someone snapping a photo and someone teaching you how to show up on camera. I coach you through micro-movements, presence, and pacing so that your photos aren’t just lucky—they’re intentional. And you’ll carry that with you into every shoot after.

5. Every Shoot is Built With Long-Term Vision

This isn’t a “just for fun” photo day. This is about helping you walk away with real experience, real portfolio material, and real opportunity. When we work together, I see you as a collaborator—not a prop—and I shoot with the goal of helping your career move forward.

If you’re serious about modeling and want to skip the guesswork, I’m here. Whether you’re in Stayton, Salem, or Portland, I’ll help you build the kind of portfolio that gets editors’ attention—and proves you belong.

Booking is open.

Let’s build something real.